卦辭與彖傳

Judgment and its commentary

先讀經文,再讀《彖傳》如何解釋卦辭。Read the received text first, then its Tuan commentary.

卦辭對整個卦(六條線為一組)的總體判斷。The judgment on the hexagram as a whole.
Judgment

艮:艮其背,不獲其身,行其庭,不見其人,無咎。

艮卦——止於背(止於不見之處),則身不被欲牽;行於庭中,雖見人而不為人所動——無咎。止之大法在於「不見」其所欲。

When one's resting is like that of the back, and he loses all consciousness of self; when he walks in his courtyard, and does not see any of the persons in it, — there will be no error.

James Legge · 1899
彖傳十翼之一,直接解釋卦名、卦辭及其剛柔結構。Tuan Zhuan — commentary explaining the name, Judgment, and line structure.
Commentary on the Judgment

艮,止也。時止則止,時行則行,動靜不失其時,其道光明。艮其止,止其所也。上下敵應,不相與也。是以不獲其身,行其庭不見其人,無咎也。

艮,是「止」。該止則止,該行則行,動靜不失於時,其道光明。「艮其止」是止於該止之所。上下兩卦皆艮,敵對而不相應——所以「不獲其身」「行其庭不見其人」,無咎。

Gen denotes stopping. When it is the time to stop, then stop; when it is the time to act, then act. When one's movements and restings all take place at the proper time, his way is brilliant.

James Legge · 1899

大象傳《大象傳》從上下卦的自然圖像推演全卦之象,再提出人事取法。它不是《彖傳》的續文。The Great Image derives conduct from the two trigrams' natural images; it is not a continuation of the Tuan.

Great Image Commentary

上下卦取象 → 全卦成象 → 人事取法Trigrams → whole image → conduct

上下卦Trigrams
· Upper · Mountain
· Lower · Mountain
全卦成象Whole image

兼山,艮

(The trigram representing) two mountains, one above the other, forms Gen.

人事取法Conduct

君子以思不出其位。

The superior man, in accordance with this, does not let his thoughts go beyond (the duties of) the position in which he is.

山上加山——艮之象。君子由此體會:思慮不要超出自己的位分。

James Legge · 1899
六爻意象導覽Six-line image guide
由六爻爻辭整理 · 點選可跳至原文 · Editorial guide · select a stage to read the line

本站導讀,不屬《大象傳》原文;用來預覽本卦六爻由初至上的意象變化。An editorial preview of the six line images, not part of the Great Image Commentary.

中性位neutral主爻 · 青灰ruling line過盈之爻 · 朱砂overshot
爻辭針對單獨一條線的判斷,每卦有六條。閱讀次序:初爻 → 上爻。卦象本身則由下而上排列。Line statements — one per line, six per hexagram. Reading order is 初 → 上 (top to bottom on the page). The hexagram itself is drawn bottom-up — see the rail.
Line statements · 初 → 上 · reading order
小象十翼之一。對每一條爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on each line. inline beneath each line
初六
Line 1 · 1 · yin

艮其趾,無咎,利永貞。

止於足趾——剛要動就先止,無咎,利於長久守正。

The first SIX shows its subject keeping his toes at rest. There will be no error; but it will be advantageous for him to be persistently firm and correct.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

艮其趾,未失正也。

止於足趾,是還未失於正道。

六二
Line 2 · 2 · yin

艮其腓,不拯其隨,其心不快。

止於小腿——不能挽救其上身(已動),心中不快。

The second SIX shows its subject keeping the calves of his legs at rest. He cannot help him whom he follows; and is dissatisfied in his mind.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

不拯其隨,未退聽也。

不能挽救上身,是上未能退而聽從。

九三
Line 3 · 3 · yang

艮其限,列其夤,厲薰心。

止於腰部,硬性割裂上下——有險,憂愁如火薰心。

The third NINE shows its subject keeping his loins at rest, and separating the ribs (from the body below). The situation is perilous, and the heart glows with suppressed excitement.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

艮其限,危薰心也。

止於腰部之危險,使心如被火薰。

六四
Line 4 · 4 · yin

艮其身,無咎。

止於身——能止整個身體,無咎。

The fourth SIX shows its subject keeping his trunk at rest. There will be no error.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

艮其身,止諸躬也。

止於身,是止於自身。

六五
Line 5 · 5 · yin

艮其輔,言有序,悔亡。

止於兩頰(言語之器)——說話有條理,悔消失。

The fifth SIX shows its subject keeping his jawbones at rest, so that his words are (all) orderly. Occasion for repentance will disappear.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

艮其輔,以中正也。

止於兩頰,是因為居中正之位。

上九
Line 6 · 6 · yang

敦艮,吉。

敦厚地止——大吉。能止到極處而不失敦厚,是艮卦之最高境。

The topmost NINE shows its subject devotedly maintaining his restfulness. There will be good fortune.

小象十翼之一。對爻辭的古典短註,列於該爻之下。Xiao Xiang — short commentary on this line. · Image on the line

敦艮之吉,以厚終也。

敦艮之吉,是以敦厚之德終全。

gèn

To stop, to still; the mountain. Both the action and the image of this hexagram.

féi

The calf of the leg.

xiàn

The waist; also 'boundary, limit' — the place where line 3 forces its cut.

yín

The flesh along the spine and lower back.

xūn

To smoke, to scorch — the suppressed heart smoldering as if fumigated.

The jawbones, the cheeks — the apparatus of speech.

dūn

Thick, honest, deeply settled — the unforced stillness of the top line.